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Roma Publications
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Roma Publications
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TITLE |
ARTIST(S) |
PAGES |
SIZE (in cm.) |
IN COLLABORATION WITH |
YEAR |
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... more recent publications |
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250 |
Statement and Counter-Statement (Notes on Experimental Jetset / Volume 1) |
Experimental Jetset |
576 |
11 × 18 |
|
2015 |
576 pages / 11 × 18 cm
The first publication on the work of Experimental Jetset features almost two decades of graphic design praxis. Rather than a monolithic monograph, it is a very loose, personal archive, with essays by Linda van Deursen, Mark Owens, and Ian Svenonius, plus two photographic chapters with a selection of work by the studio, covering both printed matter and the documentation of site-specific pieces and installations. To conclude is a glossary-like anthology of texts (fragments of interviews, lectures, correspondence, etc.) previously written by Experimental Jetset, selected, edited, and structured by Jon Sueda. Design: Experimental Jetset. ISBN 9789491843402
Out of print
|
249 |
Automatically Arranged Alphabets |
Experimental Jetset |
24 |
11 × 18 |
|
2015 |
|
248 |
Arts/Rats/Star |
Experimental Jetset |
tote bag |
40 × 37 |
|
2015 |
tote bag / 40 × 37 cm
A strong quality cotton tote bag designed by Experimental Jetset with the words 'Arts', 'Rats' and 'Star', especially produced for use during book fairs. Screen printed in a limited edition of 200 copies.
Sold out
|
247 |
Imperial Courts 1993-2015 |
Dana Lixenberg |
296 |
24 × 31 |
|
2015 |
|
246 |
Drawings (001-806) |
Ante Timmermans |
856 |
17 × 22 |
Be-Part, Waregem / S.M.A.K. Ghent |
2015 |
856 pages / 17 × 22 cm / Be-Part, Waregem / S.M.A.K. Ghent
This book contains 806 numbered drawings by Ante Timmermans, dating from 2002 up till 2015. By showing all these drawings in chronological order, and not just a selection of them, one is able to read a flow of thoughts, and see the artist's themes, subjects, and sources come and go. Drawing is in the heart of Ante Timmermans' practice, often leading to works in other media, such as performances, paintings, sculptures, and installations. Design: Roger Willems. ISBN 9789491843419
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245 |
ROMA |
Karel Martens |
tote bag |
40 × 37 |
|
2015 |
|
244 |
Sudoku |
Gintaras Did iapetris, Renée Levi, Rosalind Nashashibi |
72 |
21 × 29.7 |
Kunstverein München |
2015 |
|
243 |
Zeichnungen |
Marc Nagtzaam |
108 |
20.5 × 26.5 |
Yellow Press, Antwerp |
2015 |
|
242 |
The Grand Tour |
Kasia Klimpel |
48 + 16 |
24 × 30 |
Le Musée de Bagnes, Le Châble / Fotomuseum Winterthur |
2015 |
|
241 |
Roma Publications at Fondazione Giuliani, Rome |
Roger Willems (Editor) |
136 |
15.5 × 21.5 |
Fondazione Giuliani, Rome |
2015 |
136 pages / 15.5 × 21.5 cm / in collaboration with Fondazione Giuliani, Rome
Catalogue of the Roma exhibition at Fondazione Giuliani in Rome, from October till December 2014. Exhibition and catalogue were compiled and designed by Roger Willems, in collaboration with Lorenzo Benedetti and Marc Nagtzaam. With contributions by Gwenneth Boelens, Koenraad Dedobbeleer, Nickel van Duijvenboden, Marlene Dumas, Geert Goiris, Kees Goudzwaard, Sara van der Heide, Arnoud Holleman, Rob Johannesma, Jan Kempenaers, Irene Kopelman, Bart Lodewijks, Mark Manders, Marc Nagtzaam, Oksana Pasaiko, Wouter van Riessen, Nancy Spero, Petra Stavast, Batia Suter, Raymond Taudin Chabot and JCJ Vanderheyden. In the back of the book an overview of all 241 publications so far, dating from 1998 till halfway 2015. The red field on the cover is a work by JCJ Vanderheyden: Red Paper, 2001. ISBN 9789491843358. Link: www.fondazionegiuliani.org
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240 |
Serving Compressed Energy with Vacuum |
Anne-Mie Van Kerckhoven |
108 |
21 × 29.7 |
Kunstverein München |
2015 |
|
239 |
Prophet |
Geert Goiris |
64 + print |
24 × 31 |
|
2015 |
|
238 |
Hommage |
Arnoud Holleman |
16 |
19.5 × 26.5 |
Frans Hals Museum, Haarlem |
2015 |
|
237 |
Reprint Karel Martens |
Karel Martens |
84 |
17 × 24 |
Royal Academy of Art, The Hague |
2015 |
|
236 |
For the Mnemonist, S. |
Rossella Biscotti |
152 |
14 × 20 |
Wiels, Brussels |
2015 |
152 pages / 14 × 20 cm / in collaboration with Wiels, Brussels
For her first solo exhibition in Belgium, acclaimed Italian artist Rossella Biscotti draws a trajectory across spaces that evoke important historical processes and links them to the sciences of the mind. This book, published in conjunction with the exhibition, follows this example by interweaving narratives in relation to the concrete and discrete architecture of memory, dreams, and ideas. While revisiting sites of punishment, the gathering of works embodies the ability of the human mind to resist oppression, tracing individual destinies or collective endeavours through a combination of materials, language, and scientific techniques. With a text by Adam Kleinman. Design: Louis Lüthi. ISBN 9789491843303. Link: www.wiels.org
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235 |
Inside/Outside |
Armin Linke |
80 + 2 prints |
24 × 34 |
Sciences Po, Paris |
2015 |
80 pages + 2 prints / 24 × 34 cm / in collaboration with Sciences Po, Paris
Over the years Armin Linke is creating a vast archive of human activity. Commissioned to develop an artwork for the new Sciences Po Library in Paris, Linke took his chance to shoot a large series of photographs inside the library and inside a few leading economic and cultural institutions in Paris: C2RMF - Centre de recherche et de restauration des musées de France; BNP Paribas; Conseil d'Etat and Conseil Constitutionel; Ministère de l'Économie, de Finances et du Commerce extérieur; CGT Conféderation générale du travail; Musée du Louvre.
By photographing unnoticed parts of their interiors in a detailed and neutral way, Linke manages to reveal invisible activities of the institutions and at the same time restore beauty in these sites. After installing a permanent exhibition at the library, a brochure was produced to finish the project. We decided to offer this brochure together with 2 original prints. The book reflects on the entire project by giving insight in Linke's work and the genisis of the commission while the prints are open for interpretation, which is also the case for the visitors of the library. Texts in French and English by Bruno Latour, Eva Bellinghausen, Anastassia Makridou-Bretonneau, Valérie Pihet, Armin Linke, Sylvain Gouraud. Design: Laure Giletti (book), Roger Willems (sleeve). Edition: 400 copies, signed and numbered. ISBN 9789491843280
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234 |
Games Are Forbidden in the Labyrinth |
Javier Téllez |
192 |
14 × 20.5 |
REDCAT Los Angeles / SFAI / Kadist Art Foundation |
2015 |
|
233 |
Le Tapis (fair use) |
Pierre Leguillon |
18 (leporello) |
22 × 22 |
|
2015 |
|
232 |
Ramya |
Petra Stavast |
224 |
17.5 × 24.5 |
Fw: |
2014 |
|
231 |
Stones & Sketches |
Robert Zandvliet |
272 |
24 × 32 |
Galerie Onrust, Amsterdam |
2014 |
|
230 |
Tiergarten |
Johannes Schwartz |
112 |
24 × 33 |
|
2014 |
|
229 |
Acolyte Frena |
Mark Manders |
96 |
12 × 17 |
De Vleeshal, Middelburg |
2014 |
|
228 |
Not Available |
Marc Nagtzaam |
64 + insert |
22 × 29 |
De Vleeshal, Middelburg |
2014 |
|
227 |
Between Red and a Transparent Plane |
Kees Goudzwaard |
32 (leporello) |
21 × 28 |
De Vleeshal, Middelburg |
2014 |
|
226 |
RAY |
Susanne Kriemann |
120 |
15 × 21 |
|
2014 |
|
225 |
Prolifération |
Geert Goiris |
64 + print |
24 × 31 |
Le Musée de Bagnes, Le Châble |
2014 |
|
224 |
Compensating Transient Pleasurable Excitations |
Koenraad Dedobbeleer |
112 |
19 × 22.5 |
|
2014 |
|
223 |
Lichten |
Thomas Ruff |
152 |
23 × 31 |
S.M.A.K Ghent / Kunsthalle Düsseldorf |
2014 |
152 pages / 23 × 31 cm / in collaboration with S.M.A.K Ghent / Kunsthalle Düsseldorf
Coinciding with museum exhibitions by Thomas Ruff in Ghent and Düsseldorf, this book comprises five series of photos ranging from the start of Ruffs' artistic career in the late 1970s to recent work in 2014. This selection, being shown under the title Lichten, takes as its philosophical and scientific thread the spectrum between natural and virtual light - a fundamental shift that has taken place in the medium of photography over the last thirty years. The selected series include Interiors (1979-1983), Stars (1989-1992) and Nights (1992-1996), as well as parts of Ruffs' most recent series called Negatives (2014-) and Photograms (2012-2014) - a digitally generated simulation of this historical genre. In each of the series, Ruff subjects the photographic medium to systematic analysis: social, political and aesthetic aspects of image production are laid bare, and thereby the history of Modernity as it was initiated by the emergence of photography in the 19th century. As a conceptual photographer, Ruff is not so much interested in photographing reality; he focuses more on portraying the realities of photography. With text contributions by Philippe Van Cauteren, Robert Fleck, Gregor Jansen, Martin Germann, and Valeria Liebermann. Design: Roger Willems and Hans Gremmen. ISBN 9789491843174
Out of print
|
222 |
The Yes No Quality of Dreams |
David Robilliard |
88 |
17.5 × 22 |
ICA, London |
2014 |
|
221 |
Pazifik |
Katinka Bock |
144 |
21 × 29.7 |
Henry Art Gallery, Seattle |
2014 |
144 pages / 21 × 29.7 cm / in collaboration with Henry Art Gallery, Seattle
Richly illustrated book about the work of Paris based artist Katinka Bock. Bock focuses on sculpture as encounter and material transformation. In works that incisively investigate the sites of their production, she questions and highlights the materials that compose them, and meditates on the processes that shape them. For Bock, sculpture is the record and measure of place, space, time, and actions, in continuum.
This book was published in conjunction with the exhibition Katinka Bock: A and I at the Henry Art Gallery, University of Washington, Seattle (Feb - May 2014). With texts by Marie-Cécile Burnichon, Thomas Clerc, Luis Croquer and Sylvia Wolf. Design: Louis Lüthi. ISBN 9789491843150
Out of print
|
220 |
The Mushroom Project |
Annie Ratti |
96 |
14 × 21 |
De Vleeshal, Middelburg |
2014 |
96 pages / 114 × 21 cm / in collaboration with De Vleeshal, Middelburg
Using photography, video, installation, and texts, Annie Ratti questions and rethinks contemporary human conflicts, uncertainties and social complexities, often transforming her private experience into a public or participatory event. Such is the case with her research into the science, cultivation, and cultural and ethnographical significance of psilocybin mushrooms, the results of which appeared as an exhibition at De Vleeshal, Middelburg, in 2013. With source documents, photographs and installation views and step-by-step instructions on how to grow psychedelic fungi, Ratti encapsulates the Western fascination with these rhizomatic organisms. Design: Louis Lüthi. ISBN 9789491843143
Out of print
|
219 |
Cose in corso |
Mark Manders |
128 + 12 |
22 × 29 |
Collezione Maramotti, Reggio Emilia |
2014 |
|
218 |
Esto es una papa. Notes on Representation Vol. 6 |
Irene Kopelman |
48 |
21 × 28 |
|
2014 |
|
217 |
Institute of Contemporary Arts, London 1946-1968 |
Anne Massey, Gregor Muir (Editors) |
208 |
19.5 × 26 |
ICA, London |
2014 |
|
216 |
In Two Minds |
Gwenneth Boelens, Nickel van Duijvenboden |
120 |
19 × 25.5 |
|
2014 |
120 pages / 19 × 25.5 cm
In Two Minds documents Gwenneth Boelens' practice of the past ten years, comprising photography and sculpture, as well as performative and filmic works. An extensive chapter of notes, written by her partner and editor Nickel van Duijvenboden, illuminates Boelens' work and evolving attitudes from an intimate and studious perspective. Conversations and reflections are punctuated by a rich vein of illustrations and process images, as well as citations from twentieth-century literature and philosophy, such as by Bergson, Valéry, Merleau-Ponty and Woolf. A sense of searching pervades the publication, visually as well as intellectually, resulting in a meditation on experience, thought, memory and process. Made possible with support of the Mondriaan Fund. Design: Roger Willems. ISBN 9789491843099
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215 |
Restricted Area |
Wim Catrysse |
216 |
17 × 24 |
LLS 387, Antwerp |
2014 |
216 pages / 17 × 24 cm / in collaboration with LLS 387, Antwerp
Since the late 1990s, Belgium artist Wim Catrysse creates video installations in which he explores self-made architectural structures and extreme topographical features.
His artistic method combines intuition with technical reasoning, leading to complex cinematographic image constructions.
The publication describes 14 of his works in detail, providing us insights into Catrysse's creative progress, working sites and references. With texts by Wim Catrysse, Wouter Davidts, Anselm Franke, Ulrike Lindmayr, Anne Pontégnie, Dieter Roelstraete, Jon Thompson. Supported by Cera Partners in Art. Design: Roger Willems with Marc Nagtzaam. ISBN 9789491843129
For availability mail to archive@romapublications.org
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214 |
Modelling Standard |
Erick Beltrán, Jorge Satorre |
64 |
24.5 × 34.5 |
|
2014 |
64 pages / 24.5 × 34.5 cm
Modelling Standard is the first collaborative project of artists Jorge Satorre and Erick Beltrán with drawings by Jorge Aviña. As a point of departure they took the radical historiographic turn introduced by Carlo Ginzburg in the 1970s who focused on localised, popular and disregarded micro-histories rather than universal, over-arching versions. The title Modelling Standard references the scientific concept of the Standard Model used in physics to explain the almost invisible interactions occurring between subatomic particles. Erick Beltrán and Jorge Satorre use both micro-historical methods and the metaphor borrowed from physics to create connections between small, insignificant hints and traces. These are taken from their heterogeneous references to build seemingly unlikely connections between literary references, personal experiences, historical data, trivia and scientific facts through the construction of a diagram. The result is a series of caricatures and texts through which the artists will construct a detective plot where Sigmund Freud, Carlo Ginzburg, Giovanni Morelli, Aby Warburg, Sir Arthur Conan Doyle, Joe Orton are the protagonists. Illustrations by Jorge Aviña. Design: Roger Willems. ISBN 9789491843105
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|
213 |
Paraphernalia. On the Status of Inspirational Objects |
Wim Wauman |
88 |
17 × 24 |
|
2013 |
|
212 |
Multiple Densities |
Katja Mater |
188 |
23 × 30.5 |
|
2013 |
|
211 |
I'm not tailgating, I'm drafting |
Jan Kempenaers |
32 + print |
17 × 23 |
|
2013 |
|
210 |
Untitled (September Magazine) |
Paul Elliman |
592 |
22 × 29 |
Vanity Press, London |
2013 |
|
209 |
Royal Collection of Belgium |
Michaël Borremans |
68 |
17 × 14 |
Zeno X Gallery, Antwerp |
2013 |
|
208 |
Cristof Yvoré |
Cristof Yvoré |
68 |
22 × 26 |
Zeno X Gallery, Antwerp |
2013 |
|
207 |
This Formless Thing |
Alexandra Navratil |
176 |
15.5 × 21 |
Kunstmuseum Winterthur / SMBA Amsterdam |
2013 |
176 pages / 15.5 × 21 cm / in collaboration with Kunstmuseum Winterthur / SMBA Amsterdam
This Formless Thing alludes to materials and artificial substances from which images are made, like celluloid, photosensitive emulsion, and pigments. Around a series of five thematically complementing works by Navratil, seven text contributions where written by Jennifer Burris, Simona Ciuccio, Natasha Ginwala, Esther Leslie, Matthew Solomon, Jelena Rakin, and Mirjam Varadinis. Published in conjunction with a solo exhibition by Alexandra Navratil in Kunstmuseum Winterthur, travelling to SMBA, Amsterdam. Design: Roger Willems. ISBN 9789491843037
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|
206 |
The different possible variations, options, additions or substractions of the beginning of something. |
Marc Nagtzaam |
12 |
21 × 29.7 |
|
2013 |
|
205 |
Journal Drawings |
Henri Jacobs |
492 |
24 × 34 |
|
2013 |
|
204 |
A Glass of Water (Some Objects on the Path to Enlightenment) |
Saskia Janssen |
84 |
21 × 27.7 |
|
2013 |
|
203 |
In Memory of Things to Come |
Arnoud Holleman |
folded poster |
100 × 70 |
CBK Rotterdam |
2013 |
|
202 |
Yonder |
Marnix Goossens |
132 |
20 × 27 |
|
2013 |
|
201 |
Room with Broken Sentence |
Mark Manders |
24 |
21 × 29.7 |
Mondriaan Fund / 55th Venice Biennial |
2013 |
|
200 |
Room with Broken Sentence |
Mark Manders |
176 |
21 × 27 |
Mondriaan Fund / 55th Venice Biennial |
2013 |
176 pages / 21 × 27 cm / in collaboration with Mondriaan Fund / 55th Venice Biennial
Catalogue published on the occasion of Manders' exhibition in the Dutch Pavilion at the 55th Venice Biennial, 2013. With an introduction by Lorenzo Benedetti (curator of the Pavilion) and contributions by 37 international writers who were invited to give a personal reflection on one aspect of Self-Portrait as a Building. For this, Manders supplied them with an image and a title to which they could respond. Editing and design: Roger Willems and Mark Manders. Link: www.venicebiennale.nl
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Authors: Lorenzo Benedetti, Birgit Donker, Mark Manders, Maxwell L. Anderson, Maria Barnas, Stephan Berg, Achim Borchardt-Hume, Saskia Bos, Philippe Van Cauteren, Doryun Chong, Penelope Curtis, Nickel van Duijvenboden, Peter Eleey, Douglas Fogle, Gary Garrels, Jeffrey Grove, Hans den Hartog Jager, Jan Hoet, Laura Hoptman, Wonne Ickx, Yukie Kamiya, Toby Kamps, Mami Kataoka, Vincenzo Latronico, Maaike Lauwaert, Jean-Hubert Martin, Francois Piron, Philippe Pirotte, Yasmil Raymond, Hans Rudolf Reust, Lon Robbe, Dieter Roelstraete, Ralph Rugoff, Nancy Spector, Susan Lubowsky Talbott, Mirjam Varadinis, Olga Viso, Joel Wachs, Ida van Zijl, Heidi Zuckerman Jacobson.
|
199 |
Full Color |
Karel Martens |
160 |
15.5 × 22 |
DNP Foundation for Cultural Promotion, Tokyo |
2013 |
|
198 |
Minyan Swizzle / Acolyte Frena |
Mark Manders |
8 (x2) |
35 × 48 |
Mondriaan Fund |
2013 |
|
197 |
The Moon Has a Complicated Geography |
various |
120 + insert |
17 × 24 |
De Vleeshal, Middelburg |
2013 |
120 pages + insert / 17 × 24 cm / in collaboration with De Vleeshal, Middelburg
Publication coinciding with the exhibition The Moon Has a Complicated Geography at De Vleeshal, Middelburg, in which the artists have been given 16 blank pages to employ as a parallel space, alongside those of De Vleeshal. Besides documenting the exhibition, the publication demonstrates some of the interpretative dynamics between the artists' ad hoc interventions on its pages. With contributions by Van Brummelen & De Haan, Arnoud Holleman, Hedwig Houben, Gert Jan Kocken, Wendelien van Oldenborgh, Willem Oorebeek, Vincent Vulsma and Elisa van Joolen. Curated by Lorenzo Benedetti. Design: Roger Willems. ISBN 978 90 77459 959
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|
196 |
The Exact Opposite of Distance. Notes on Representation Vol. 5 |
Irene Kopelman |
72 |
21 × 28 |
Kunst Halle Sankt Gallen |
2013 |
|
195 |
Lying Awake |
Geert Goiris |
170 + insert |
24 × 31 |
M - Museum Leuven |
2013 |
|
194 |
Tribune (Diary 1971 -1978) |
Luc Deleu |
DVD + booklet |
20 × 25 |
Etablissement d'en face, Brussels / LLS 387, Antwerp |
2013 |
DVD + booklet / 20 × 25 cm / in collaboration with Etablissement d'en face, Brussels / LLS 387, Antwerp
106 minutes conversation between Luc Deleu and Jef Lambrecht while flipping through, and commenting on Deleu's early diary 'Tribune', which was made between 1971 and 1978. The diary counts 300 pages, richly covered with clippings, photographs, advertisements, sketches, stamps, notes, drawings, logos, cartoons, advertising leaflets, and maps.
Besides reflecting on world history and events taking place in the first half of the seventies, the book refers to Deleu's works created during this period, and to works that he realized only years later. Sublimated in collages, illustrations, sketches and projects, 'Tribune' expresses Deleu's fresh desire for a global mobility and mobile architecture, and marks the start of his "artistic journey".
Text booklet: Christophe Van Gerrewey. Camera and editing: Wim Catrysse. With subtitles in Dutch and English. Design: Roger Willems. ISBN 978 9077459 928
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|
193 |
Writing Over |
Kasper Andreasen |
100 |
21 × 29 |
|
2013 |
|
192 |
Iwar von Lücken: Selected Poems (With Annotations) |
Dieter Roelstraete |
48 |
10.7 × 17.7 |
|
2013 |
48 pages / 10.7 × 17.7 cm
Collection of poems by Dieter Roelstraete, with annotations.
ISBN 978 90 77459 82 9
Staring at the world outside the train,
The dark-clad devil of longing for nothing
Has wormed his way into my brain.
The ghost of gloom cast the first glove;
I finally picked it up I no longer abstain.
Let the genie from the inkwell hover far above.
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|
191 |
Studio Matters +1 |
Massimo Bartolini |
160 |
17 × 24 |
The Fruitmarket Gallery, Edinburgh / S.M.A.K. Ghent |
2013 |
|
190 |
The Flanders Peninsula |
Bart Lodewijks |
64 |
21 × 30 |
City of Ronse |
2012 |
|
189 |
The Molyneux Problem |
Irene Kopelman |
144 |
16.5 × 23.5 |
|
2012 |
|
188 |
From Action of Matchmaking Photons to Zen Buddhists' Bad Breath |
Voebe de Gruyter |
216 |
23.5 × 34 |
|
2012 |
|
187 |
Night Drawings |
Mark Manders |
16 |
47 × 35 |
|
2012 |
|
186 |
Reference Book |
Mark Manders |
536 |
17 × 24 |
Heineken Prize for Art |
2012 |
|
185 |
Oeuvre sculpté, travaux pour amateurs |
Koenraad Dedobbeleer |
112 |
19 × 23 |
Lokremise St.Gallen |
2012 |
112 pages / 19 × 23 cm / in collaboration with Lokremise St.Gallen
This artist's book is published on the occasion of Dedobbeleer s solo exhibition at Lokremise St. Gallen, travelling to Centre d art contemporain d Ivry, Le Crédac, Ivry-sur-Seine, and De Vleeshal, Middelburg. The book, together with Dedobbeleer's sculptural works, reflects in a refined, and sometimes humorous manner on centuries-old traditions in sculpture, sophisticated design and banal, everyday culture. ISBN 9789077459850
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|
184 |
S.M.A.K. TRACK - a contemporary city conversation |
various |
376 |
20 × 27 |
S.M.A.K. Ghent |
2012 |
376 pages / 20 × 27 cm / in collaboration with S.M.A.K. Ghent
TRACK is an international art exhibition taking place in the public and semi-public space of Ghent from 12 May till 16 September 2012. It offers unexpected encounters with the city, its history and its inhabitants, stimulating reflection on urban realities and, in a wider sense, the contemporary human condition. Curators Philippe Van Cauteren and Mirjam Varadinis invited forty-one artists to conceive artworks strongly rooted in the urban fabric of Ghent, but linking the local context with issues of global significance.
Participating artists: Lara Almarcegui, Pawel Althamer, Sven Augustijnen, Alexandra Bachzetsis, Massimo Bartolini, John Bock, Michaël Borremans, Mike Bouchet, Lonnie van Brummelen & Siebren de Haan, Christoph Büchel, Peter Buggenhout, Mircea Cantor, Leo Copers, Simona Denicolai, Michael Elmgreen & Ingar Dragset, Peter Fischli & David Weiss, Cyprien Gaillard, Mekhitar Garabedian, Christina Hemauer Roman Keller, Adelita Husni-Bey, Tadashi Kawamata, Susanne Kriemann, Alon Levin, Erik van Lieshout, Bart Lodewijks, Emilio López-Menchero. Erwan Mahéo, Mark Manders, Teresa Margolles, Ahmet Ögüt, Ivo Provoost, Tobias Putrih, Tazu Rous, Yorgos Sapountzis, Superflex, Pilvi Takala, Pascale Marthine Tayou, Javier Téllez, Tercerunquinto, Benjamin Verdonck, Danh Vo, Lawrence Weiner. Texts: Claire Bishop, Chris Dercon, Boris Groys, Stefan Hertmans, a.o. (Dutch and English). Design: Roger Willems and Hans Gremmen. ISBN 978 90 77459 83 6
Out of print
|
183 |
Dun Briste, Downpatrick Head |
Jan Kempenaers |
30 + print |
23 × 33 |
Academy of Fine Arts Ghent |
2012 |
|
182 |
Apperception |
Daan van Golden |
244 + supplement |
24 × 30 |
WIELS, Brussels |
2012 |
|
181 |
Autumn of Modernism |
various |
256 |
21 × 29.7 |
De Vleeshal, Middelburg |
2012 |
256 pages / 21 × 29.7 cm / in collaboration with De Vleeshal, Middelburg
Book with contributions by 14 artists who took part in the exhibition Autumn of Modernism at De Vleeshal, Middelburg, curated by Lorenzo Benedetti. The contributions somehow respond in an indirect way to the social changes of our day, such as the present economic crisis. With contributions by Gwenneth Boelens, Piet Dieleman, gerlach en koop, Sara van der Heide, Martijn Hendriks, Bas van den Hurk, Rob Johannesma, Katja Mater, Marc Nagtzaam, Falke Pisano, Petra Stavast, Batia Suter, Remco Torenbosch, Martijn in 't Veld. With an introduction by Lorenzo Benedetti. Design: Roger Willems and Louis Lüthi. ISBN 9789077459799
Out of print
|
180 |
The World Explained. A Microhistorical Encyclopedia |
Erick Beltrán |
272 |
19 × 26.6 |
Tropenmuseum, Amsterdam |
2012 |
|
179 |
Me and Rodin Chapter 14 |
Arnoud Holleman |
16 |
13.5 × 21 |
|
2012 |
|
178 |
Ruth on the Phone |
Nigel Shafran |
156 |
16.5 × 24 |
|
2012 |
|
177 |
A Dutch Landscape - Un Paisaje Holandes |
Javier Hontoria (Editor) |
76 |
20 × 28 |
La Casa Encendida Madrid |
2012 |
76 pages / 20 × 28 cm / in collaboration with La Casa Encendida Madrid
Catalogue for the group exhibition Un Paisaje Holandes, curated by Javier Hontoria for La Casa Encendida Madrid, coinciding with the participation of the Netherlands as the guest country at ARCO, Madrid. The exhibition and catalogue offer an overview of the work of two different generations of the Dutch art scene - the one active in the late 1960s and early 1970s (Bas Jan Ader, Marinus Boezem, Stanley Brouwn, Jan Dibbets, and Ger van Elk) and the one born shortly afterwards (Feiko Beckers, Gwenneth Boelens, Sharon Houkema, Marijn van Kreij, Katja Mater, Navid Nuur, and Martijn in 't Veld). With text in English and Spanish by Javier Hontoria. Design: Roger Willems. ISBN 978 90 77459 78 2
For availability mail to archive@romapublications.org
|
176 |
Les études d'ombres |
Mark Manders |
128 + 8 |
21 × 27 |
Carré d'Art, Musée d'art contemporain, Nîmes |
2012 |
|
175 |
Spots of Time |
Rob Johannesma |
128 |
17 × 24 |
ar/ge kunst, Bolzano / Museo Marino Marini, Firenze |
2012 |
|
174 RSE |
A Few Things One Is Not Allowed to Do |
Mark Manders
Roma Support Edition |
print on cardboard |
30 × 40 |
|
2011 |
|
173 |
Picturesque |
Jan Kempenaers |
80 |
33.5 × 26.5 |
Academy of Fine Arts Ghent |
2012 |
80 pages / 33.5 × 26.5 cm / in collaboration with Academy of Fine Arts Ghent
45 landscapes and architecture photographs by Jan Kempenaers. This book, together with his previous book Spomenik (Roma Publication 141, 2010) present the results of Kempenaers' practice based research on 'contemporary picturesque'. Dirk De Meyer, quoted from this book:
Yet, even when gratifying due to their composition and their living tints and endless varieties , Kempenaers photographs of landscapes altered by man forestall the nostalgia that has, over time, become typical for the picturesque. They force the viewer to remain in the present and think about its conditions and its future, and about the forces threatening our environment. Using Gilpin s topoi of the picturesque - which, by now, are themselves "classical" - Kempenaers' images confront us with the picturesque s slightly disconcerting aspects. As one visitor of the 1975 New Topographics exhibition at the George Eastman House observed, the photographs on display were saying "This is it, kid; take it for its beauty and its ugliness." Design: Roger Willems. ISBN 9789077459744
Order here
|
173 SP |
Picturesque (special edition) |
Jan Kempenaers |
80 + photo |
33.5 × 26.5 |
Academy of Fine Arts Ghent |
2012 |
|
172 |
My dad playing piano |
Arnoud Holleman |
audio cd |
12.5 × 12.5 |
|
2011 |
audio cd / 12.5 × 12.5 cm
6 tracks of piano music separated by silent intervals, played by Wim Holleman (1926-1993) in the late eighties and early nineties. Remastered in 2011.
|
171 |
We made it our dream to move on. Monturiol updated |
Ruth Estévez, Sarah Demeuse (Editors) |
168 |
13.5 × 20 |
Espai Cultural Obra Social Caja Madrid, Barcelona |
2011 |
168 pages / 13.5 × 20 cm / in collaboration with Espai Cultural Obra Social Caja Madrid, Barcelona
This book is part and parcel of the exhibition project Nos hicimos la ilusión de avanzar directamente (We made it our dream to move on) shown at the Espai Cultural de Caja Madrid in Barcelona between November 23, 2011 and January 15, 2012. The title, a sentence culled from Monturiol s treatise, refers in this new context to the collective insistence on progress in cognitive, cultural and/or technical terms. With contributions by Ruth Estévez, Sarah Demeuse, Jorge Méndez Blake, Javier Toscano, Erick Beltrán, Mariana Castillo Deball, Eduardo Gil, Carla Herrera-Prats, Irene Kopelman, Erick Meyenberg, Ania Soliman, Batia Suter, and Pablo Vargas Lugo. Design: Roger Willems. ISBN 9789077459737
For availability mail to mail to archive@romapublications.org
|
170 |
Pieter Vermeersch |
Pieter Vermeersch |
36 |
24 × 32 |
Be-Part, Waregem |
2011 |
|
169 |
The Object of Criticism |
Benoît Maire |
48 |
20 × 28 |
De Vleeshal, Middelburg |
2011 |
|
168 |
DIABATA |
Olaf Nicolai |
folded paper |
65 × 46 |
RAM Radioartemobile, Roma |
2011 |
|
167 |
In Deed: Certificates of Authenticity in Art |
Susan Hapgood and Cornelia Lauf (Editors) |
104 |
19 × 27 |
De Vleeshal, Middelburg |
2011 |
104 pages / 19 × 27 cm / in collaboration with De Vleeshal, Middelburg
Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the
authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have
shifted and developed, as well as how the materials and content of art have changed.
With certificates by: Ruben Aubrecht, Judith Barry, Robert Barry/Stefan Brüggemann, Hemali Bhuta and Shreyas Karle, Pierre Bismuth, George
Brecht, Marinus Boezem, Daniel Buren, Andre Caderé, Marcel Duchamp, Maria Eichhorn, Urs Fischer, Dan Flavin, Andrea Fraser, Liam Gillick, The Felix Gonzalez-Torres Foundation, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth,
Sol LeWitt, Ken Lum, Piero Manzoni, Gordon Matta-Clark, Josiah McElheny and Allan Kaprow, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Cesare Pietroiusti, Adrian Piper, Emilio Prini, Robert Projansky and Seth Siegelaub,
Raqs Media Collective, Robert Rauschenberg, Sharmila Samant, Joe Scanlan, David Shrigley, Daniel Spoerri, Haim Steinbach, Superflex, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West, Cerith Wyn Evans, Carey Young, Andrea
Zittel, Heimo Zobernig. Design: Louis Lüthi. ISBN 9789077459690
Out of print
|
166 |
Dirk Braeckman |
Dirk Braeckman |
384 |
29 × 25 |
M - Museum Leuven |
2011 |
384 pages / 29 × 25 cm / in collaboration with M - Museum Leuven
Dirk Braeckman is one of Belgium s leading artistic photographers. In each of his monumental photographic works, he creates an enclosed, isolated world that appears endless in its tactility,
while at the same time gives short shrift to the illusions of the medium. These images do not aim to convey anything and yet they are suggestive of complete narratives.
Braeckman in the introduction of the book: (...) we discovered a large number of 'new' images - images that
had never been printed. Detached from the context in which I had
made them, they could be viewed anew and forge new connections.
A number of these discoveries are included in this publication.
From a physical perspective, they have yet to achieve definitive
form. Ordinarily, the work exists first, and is published at a later
date. Here, the reverse is true in some cases. Certain works exist
only on the pages of this book, untitled, without dimensions - I may
produce them as prints at some point in the future. This publication
is, therefore, an autonomous instrument. It presents a
state of affairs: extant and unprinted works, in whatever form,
without conventional themes, periods or sequences. As such,
this publication is a cross between an artist's book and a survey
publication. And I feel right at home with this synthesized form.
With essays in English and Dutch by Martin Germann and Dirk Lauwaert. Design: Kim Beirnaert. ISBN 9789077459676
Out of print
|
165 |
24 European Ethnographic Museums |
Sara van der Heide |
48 |
23 × 30 |
|
2011 |
|
164 |
Reissue |
Marc Nagtzaam |
128 |
23.5 × 32 |
|
2011 |
|
163 |
Nederland op de Biënnale van Venetië |
various |
118 |
12 × 17 |
University of Amsterdam |
2011 |
118 pages / 12 × 17 cm / in collaboration with University of Amsterdam
Series of interviews - in Dutch - with curators and artists who represented the Netherlands at the Venice Biennial over the past 10 years: Fiona Tan, Aernout Mik, Martijn van Nieuwenhuijzen, Jeanne van Heeswijk, Alicia Framis, Rein
Wolfs, Jaap Guldemond, and Gitta Luiten. Edited by: Marta Gnyp, David Smidt van Gelder, Tom Vandeputte. Authors: Femke Truijens, Imara Limon, Janneke van Liempt, Jero van Nieuwkoop, Marthe van der Hilst, Matteo Kuijpers, Melchior Jaspers, Mels Evers, Tessa Verheul, Thomas Stokmans, Zippora Elders. Design: Joris Kritis & Julie Peeters. ISBN 9789077459652
Out of print
|
162 |
Carrara |
Aglaia Konrad |
136 |
22 × 29 |
|
2011 |
|
161 |
Looking at Trees. Notes on Representation Vol. 3 |
Irene Kopelman |
40 |
21 × 28 |
|
2011 |
|
160 |
Surface Series |
Batia Suter |
240 + leporello |
23 × 30 |
Culturgest, Lisbon |
2011 |
|
159 |
X Points of View. Notes on Representation Vol. 2 |
Irene Kopelman |
144 |
21 × 28 |
|
2011 |
|
158 |
Provisional Space |
Kees Goudzwaard |
96 |
22 × 29 |
|
2011 |
|
157 |
Inner Glow |
Wouter van Riessen |
32 |
17 × 23.5 |
|
2011 |
|
156 |
Set Amsterdam |
Dana Lixenberg |
72 |
24 × 24 |
Willy Waltz International |
2011 |
|
155 |
Dos Casas Interconectadas |
Mark Manders |
80 |
17.2 × 22.5 |
Casa Luis Barragan, Mexico City |
2011 |
|
154 |
50 Metres Distance or More. Notes on Representation Vol. 4 |
Irene Kopelman |
120 |
21 × 28.5 |
|
2011 |
|
153 |
Obra de Referencia |
Mark Manders |
96 |
14 × 19.6 |
Museo de Arte Carrillo Gil, Mexico City |
2011 |
|
152 |
Beyond the Dust. Artists' Documents Today |
various |
210 |
15 × 21 |
Dena Foundation / De Vleeshal, Middelburg / Fondation d'entreprise Ricard, Paris |
2011 |
210 pages / 15 × 21 cm / in collaboration with Dena Foundation / De Vleeshal, Middelburg / Fondation d'entreprise Ricard, Paris
Catalogue with artists' contributions on the occasion of the group exhibition Beyond the Dust - Artists' Documents Today, curated by Francesca di Nardo in collaboration
with Lorenzo Benedetti. Participating artists: Linda Fregni Nagler, Mark Geffriaud, Invernomuto, Jeroen Kooijmans, Irene Kopelman,
Benoît Maire, Diego Marcon, Clément Rodzielski, Roma Publications, Batia Suter, Richard Sympson, Raphaël Zarka. Texts by Lorenzo Benedetti, and
Francesca di Nardo. Edited and designed by Roger Willems in collaboration with Gwenneth Boelens. The book was commissioned by the French Ministry of Culture and Communication, Centre national des arts plastiques (CNAP). ISBN 9789077459560
Out of print
|
151 |
City People |
Ringel Goslinga |
304 |
15.5 × 20 |
|
2011 |
|
150 |
Geen spiegel kan je behoeden / No Mirror Can Guard You |
Nickel van Duijvenboden |
96 |
17 × 24 |
|
2011 |
|
149 |
(Innere Stimme) |
Olaf Nicolai / Jean-Luc Nancy |
16 |
24 × 33.5 |
De Vleeshal, Middelburg |
2010 |
|
148 |
Retitled |
Arnoud Holleman |
10 + envelop + napkin |
25 × 18 |
|
2010 |
|
147 |
Portraits |
Liedeke Kruk |
264 |
20 × 26.5 |
|
2010 |
264 pages / 20 × 26.5 cm
More than 200 portraits of artists and art related people, made by Liedeke Kruk over a period of sixteen years. During those years Kruk was participating in exhibitions herself, including ground braking group shows Sonsbeek in Arnhem, the Netherlands, and This Is the Show and the Show Is Many Things in Ghent, Belgium. As participating artist she made her work of portraying her fellow artists in an informal way, and exhibited the results on the spot.
Design: Roger Willems. Edition 600. ISBN 9789077459522
For availability mail to archive@romapublications.org
Adam Colton, Aernout Mik, Agnes Denes, Alan Murray, Albert Waalkens, Alberto Garutti, Ann Lislegaard, Anne Decock, Anne-Mie Van Kerckhoven, Anton Henning, Avery Preesman, Barbara Visser, Bart De Baere, Berlinde de Bruyckere, Bernard
Heesen, Beth Namenwirth, Bill Viola, Björn Dahlem, Borek Sípek, Brian Tolle, Brigitte van der Sande, Callum Morton, Carina Diepens, Catherine David, Ceciel van Delft, César, Cherry Duyns, Chohreh Feyzdjou, Chris Dercon, Christian
Boltanski, Ciel van Dooren, Claes Oldenburg, Coosje van Bruggen, Cornel Bierens, Dan Graham, Daniel Buren, David Bade, David Claerbout, Dirk Braeckman, Douglas Gordon, Ebru Özseçen, Edwin Jacobs, Elly Stegeman, Elly Strik, Elske Neus,
Emilio Lopez-Menchero, Eran Schaerf, Erik van Lieshout, Eulalia Valldosera, Federico Fusi, Fiona Tan, Fons Welters, Franky DC, Franz Pomassl, Gabriel Orozco, Ger van Elk, Germaine Kruip, Gert Robijns, Gillian Wearing, Giovanni Anselmo,
Giuseppe Penone, Guillaume Bijl, Hale Tenger, Ham Jin, Hans Aarsman, Hans van der Pennen, Hans van Manen, Helena Dumas, Hendrik & Merel Driessen, Hendrik-Jan Hunneman, Henrietta Lehtonen, Hermann Nitsch, Hester Oerlemans, Honoré dO,
Ianthe Elbers, Ida Lohman, Jacques Palinckx, Jan Broekstra, Jan De Cock, Jan Hoet, Jason Rhoades, JCJ Vanderheyden, Jeanne van Heeswijk, Jeff Wall, Jeroen Doorenweerd, Jeroen Eisinga, Jim Isermann, Jimmie Durham, Jo Baer, Joachim
Rooyackers, Job Koelewijn, Joep van Lieshout, Johan van Oord, John Isaacs, John Körmeling, Jon Pylypchuk, José Damasceno, José Pedro Croft, Josse De Pauw, Josue Pellot, Juliana, Jutta Koether, Karel Appel, Klaar van der Lippe, Klaas
Gubbels, Klaasje Vroon, Koen Theys, Korrie Besems, Krien Clevis, Lara Schnitger, Lawrence Weiner, Luc Tuymans, Luuk Wilmering, Manfred Pernice, ManfreDu Schu, Marc Nagtzaam, Maria Roosen, Maria Thereza Alves, Marie-Ange Guilleminot,
Marien Schouten, Marie-Puck Broodthaers, Marina Abramovic, Mark Bain, Mark Manders, Marlene Dumas, Marry Overtoom, Masato Kobayashi, Matthew Monahan, Maxime Ansiau, Meredith Monk, Meschac Gaba, Michel François, Mike Kelley, Miroslaw
Balka, Moniek Toebosch, Mynke Buskens, Naam, Nedko Solakov, Paul Andriesse, Peter De Cupere, Peter Fengler, Peter Fillingham, Petulia van Tiggelen, Philip Akkerman, Philippe Van Cauteren, Pipilotti Rist, Q.S.Serafijn, Reinier Lucassen,
Rémy Zaugg, René Daniëls, Rob Birza, Robin Winters, Roland Schimmel, Rosemarie Trockel, Sander Luske, Sara Blokland, Sara van der Heide, Sarah Sze, Saskia Janssen, Scarlett Hooft Graafland, Sigmar Polke, Simone Decker, Sophie Calle,
Sophie Hoorens van Heijningen, Stephen Nicholas, Suchan Kinoshita, Susanne Tunn, Tacita Dean, Teuny Tukker, Thea Veel, Thierry De Cordier, Thomas Schütte, Thomas Struth, Tom Claassen, Vaast Colson, Vadim Fishkin, Wiebo van Mulligen,
Wilma Diepens, Wim Delvoye, Wim Van Mulders, Wouter van Riessen
|
146 |
Slide Projections |
Mark Manders |
120 + 8 |
24 × 33 |
|
2010 |
|
145a |
Open Days / De Kabinetten van de Vleeshal |
Marije Langelaar (ed.) |
32 |
21 × 27 |
De Vleeshal, Middelburg |
2010 |
32 pages / 21 × 27 cm / in collaboration with De Vleeshal, Middelburg
Collection of poems (in Dutch) and works of art selected by Marije Langelaar in collaboration with Mark Manders and Roger Willems. With contributions by Petra Stavast, Nachoem M. Wijnberg, Eva Cox, Luc Deleu, Albertina Soepboer, Alfred
Schaffer, Marc Nagtzaam, Dirk Braeckman, Raymond Taudin Chabot, K Michel , Luc Tuymans, Dana Schutz, Jan Kempenaers, Tonnus Oosterhoff, Marten Hendriks, Wouter Godijn, Rien Vroegindeweij, Hans Groenewegen, Mark Manders,
Peter Verhelst, Vrouwkje Tuinman, Maria Barnas, Anuschka Blommers, Niels Schumm, Geert Goiris, Esther Jansma, Elma van Haren, Adrian Paci, Gino De Dominicis. This edition was published on the occasion of the exhibition Beyond the
Dust - Artists' Documents Today at De Kabinetten van de Vleeshal, Middelburg (17.09-12.12 2010)
For availability mail to archive@romapublications.org
|
145b |
Open Days / La Fabbrica del Vapore |
Marije Langelaar (ed.) |
32 |
21 × 27 |
La Fabbrica del Vapore, Milan |
2010 |
32 pages / 21 × 27 cm / in collaboration with La Fabbrica del Vapore, Milan
Italian edition of Roma publication 145a, published on the occasion of the exhibition Beyond the Dust - Artists' Documents Today at La Fabbrica del Vapore, Milan (7.10-28.10 2010). Translated from Dutch to Italian by Pierluigi
Lanfranchi.
For availability mail to archive@romapublications.org
|
145c |
Open Days / Fondation d'entreprise Ricard |
Marije Langelaar (ed.) |
32 |
21 × 27 |
Fondation d'entreprise Ricard, Paris |
2011 |
32 pages / 21 × 27 cm / in collaboration with Fondation d'entreprise Ricard, Paris
French edition of Roma publication 145a, published on the occasion of the exhibition Beyond the Dust - Artists' Documents Today at Fondation d'entreprise Ricard, Paris (10.1-29.1 2011). Translated from Dutch to French by Kim
Andringa.
For availability mail to archive@romapublications.org
|
144 |
The man who never experienced anything |
Luuk Wilmering |
128 |
12 × 17 |
Noord-Holland Biënnale 2010 |
2010 |
|
143 |
Sechsundzwanzig Wiener Tankstellen |
Sebastian Hackenschmidt, Stefan Oláh |
80 |
17 × 22.5 |
|
2010 |
|
142 |
Jo Baer. Broadsides & Belles Lettres. Selected Writings and Interviews
1965-2010 |
Jo Baer (Roel Arkesteijn ed.) |
184 + 64 |
29 × 24 |
|
2010 |
184 + 64 pages / 29 × 24 cm
Approximately 50 texts - richly illustrated -, published and unpublished, written between 1965 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks, and a book-in-progress:
Revisioning the Parthenon. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living
in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same
ingredients that go into her art. Design: Roger Willems. 184 pp hardcover + 64 pp appendix. Made possible with the support of Fonds BKVB, Galerie Paul Andriesse, and The Andy Warhol Foundation for the Visual Arts. In English. ISBN 978
90 77459 49 2
Order here
|
141 |
Spomenik |
Jan Kempenaers |
64 |
33.5 × 24.5 |
|
2010 |
|
140 |
Proposal for Permanent Chalk Drawings in the Moscou District of Ghent (Unforgettable
Neighbourhood) |
Bart Lodewijks |
64 |
21 × 30 |
S.M.A.K. Ghent |
2010 |
|
139 |
On the Self-Reflexive Page |
Louis Lüthi |
160 |
13 × 20 |
|
2010 |
160 pages / 13 × 20 cm
Priè d'insérer (by Louis Lüthi) - The subject of this book is the page, and the pages reproduced in it are taken from works of literature (or, in some cases, art books that derive specifically from
literature).
I have chosen to present them thematically, resulting in a typology of self-reflexive pages: Black Pages, Blank Pages, Drawing Pages, Photography Pages, Text Pages, Number Pages, and Punctuation Pages.
The repetition this entails is somewhat deceptive (for a start, the reader will observe the slight but not insignificant differences between the visual and verbal presentations);
in literature, such devises are often used as a counterpoint to what has preceded or what will follow in the narrative.
And the same means may evidently be used to different ends. For these reasons, and because the book attempts only to trace an isolated theme through numerous and often otherwise unrelated works,
the reader is in all instances referred to the original publications, which are listed in the bibliography. ISBN 9789077459478
Out of print
|
138 |
A NOT B |
Uta Eisenreich |
128 |
21.5 × 28.5 |
|
2010 |
|
137 |
Superquadra |
Erik van der Weijde |
176 |
16 × 22 |
|
2010 |
176 pages / 16 × 22 cm
Book with over 160 photographs by Erik van der Weijde of large residential blocks in Brasilia, named Superquadras. Each block, as repeating element in Lucio Costa's master plan for Brazil's new capital, was built within a distinct
configuration, with an average of eleven residential buildings raised on pilotis, with a height limit of six floors. Besides 30 of these residential blocks in Brasilia, Van der Weijde also visited a residential complex in Rio de
Janeiro, designed by Costa in 1948, which is considered to be forerunner of the Superquadras. Brasilia was inaugurated 50 years ago, on April 21, 1960. Design: Roger Willems and Erik van der Weijde. ISBN 9789077459430
For availability mail to archive@romapublications.org
|
136 |
Ashes and Broken Brickwork of a Logical Theory |
Susanne Kriemann |
128 |
13 × 19.5 |
Künstlerhaus Stuttgart / KIOSK, Ghent |
2010 |
|
135 |
Plans d'evasion |
Michel Francois |
360 |
26,5 × 21 |
S.M.A.K., Ghent / I.A.C., Villeurbanne |
2010 |
360 pages / 26,5 × 21 cm / in collaboration with S.M.A.K., Ghent / I.A.C., Villeurbanne
Extensive monograph about the work of Michel Francois. With texts by Guillaume Desanges and Jean-Paul Jacquet, and an introduction by Philippe Van Cauteren and Nathalie Ergino.
Design: Roger Willems. ISBN 9789077459416
Order here
Epilogue: In a seemingly marked-out, hierarchical world which is far more chaotic and uncontrolled than it appears, Michel Francois's essentially sculptural work, which on the contrary is obviously chaotic and subtly framed,
is a model of sensual and ideological reconfiguration of the immediate. His delight in forms and games of representation derives from his wonderment at the world's materials, nature, situations or ideas. Despite the sometimes sombre
rawness of some references, the artist ultimately sets out to reconcile what are sometimes distant and contradictory fields in the world of art. Highly formal sculpture underpinned by a set of complex theoretical and ideological
strata, laying claim to a liberal art, while accepting the slavish share of work.
The ideological issues of modernity (the everyday as material, art as a cosa mentale, universality of forms, abstraction, seriality), without ignoring the great issues of classical art (perspective, nature, manual work, metaphor,
illusion, trompe-l'oeil). A focus on the world and on the intimate sphere, neutralised by elegant detachment from forms. Representative clarity and simplicity, contrasted with indeterminate perception. In short, acceptance of
physical and moral responsibility for the fundamental demands of sculpture, without sacrificing freedom, risk and uncertainty. (Guillaume Desanges)
|
134 |
Two Connected Houses |
Mark Manders |
48 |
21,5 × 28 |
Fillip, Vancouver / The Guggenheim Museum, New York |
2010 |
48 pages / 21,5 × 28 cm / in collaboration with Fillip, Vancouver / The Guggenheim Museum, New York
Conceived as a proposal for The Guggenheim Museum in New York, this book, or magazine, guides you through an imaginary exhibition with works by Manders, spread out over two houses connected with a tunnel from kitchen to kitchen.
'Two Connected Houses' will be on show at 'Contemplating the Void: Interventions in the Guggenheim Museum', New York, February 12 - April 28, 2010 and will also be distributed, as a 48 page insert of Manders' newspaper 'Traducing
Ruddle', through newspaper boxes in Vancouver's Downtown Eastside during the months of February and March. Design: Hans Gremmen.
Out of print
|
133 |
Traducing Ruddle |
Mark Manders |
8 |
35 × 48 |
Fillip, Vancouver |
2010 |
|
132 |
Passages Through (the Unfinished Monument) |
Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) |
192 |
20 × 13 |
Public Space With A Roof |
2010 |
192 pages / 20 × 13 cm / in collaboration with Public Space With A Roof
Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery,
functioning as a platform to exhibit works of other artists. Finally only a model of this structure was created and photographed with a pinhole camera. On the images, the structure is still visible, but their blurry and foggy
atmosphere shows a different universe, closer to the world of dreams and imagination. The book includes 17 series of photographs, each of them offering a slightly different imaginary walk through the structure, accompanied by fragments of texts by several individuals who inspired the artists while working on the
project: Vladimir Odoevsky, Frederick Kiesler, Walter Benjamin, Susan Buck-Morss, Juhani Pallasmaa, Italo Calvino, and Steven Holl. The book also contains a theoretical reflection on the artistic process and experience of cancelling a
project. Design: Roger Willems. Edition 1000 copies. ISBN 9789077459423
For availability mail to archive@romapublications.org
|
131 |
In Dark Trees |
Rob Johannesma |
112 + 2 cards |
24 × 16.5 |
De Vleeshal, Middelburg |
2010 |
|
130 |
Cast (part 2) |
Raymond Taudin Chabot |
32 |
16 × 23 |
Fw: |
2009 |
|
129 |
Libero |
Petra Stavast |
200 |
18 × 25 |
|
2009 |
|
128 |
Extended Caption (DDDG) |
Stuart Bailey |
112 |
34.5 × 24.5 |
Culturgest, Lisbon / Dexter Sinister, New York |
2009 |
|
127 |
Blaka Watra Spiders (Me & You on a Golden Avenue) |
Saskia Janssen |
64 |
21 × 28.5 |
Art and Public Space Research Group, Gerrit Rietveld Academy, Amsterdam |
2009 |
|
126 |
I pass, like night, from land to land; I have strange power of speech. |
Paul Elliman |
16 |
17 × 24 |
|
2009 |
16 pages / 17 × 24 cm
'Phantom Radio Extended Shipping Forecast'. Notes for radio imagery and typography. Collected, compiled and rewritten by Paul Elliman as supplement to Batia Suter's Parallel Encyclopedia. Designed by Radim Pesko with Roger
Willems.
Out of print
|
125 |
Reverse Chronology |
JCJ Vanderheyden |
32 |
21 × 26 |
|
2009 |
|
124 |
Heel Ander Blad |
Luuk Wilmering |
24 |
30 × 41.5 |
De Pont, Tilburg |
2009 |
|
123 |
One Time One Million (Migratory Birds / Romantic Capitalism) |
Susanne Kriemann |
122 |
22 × 27.5 |
Stedelijk Museum Bureau Amsterdam |
2009 |
122 pages / 22 × 27.5 cm / in collaboration with Stedelijk Museum Bureau Amsterdam
An original Swedish Hasselblad camera is the point of departure for One Time One Million. Because the camera dates from 1942, this object launched Kriemann straight back into history.
Kriemann succeeds in pushing the concrete politics that adhere to this object into the background. That gives her room to say much more than she would have had a chance to say in a specifically political context: she can bring clusters
together in new images, make new connections, rearrange things, tinker around, and thus arrive at new insights. (Els Roelandt in SMBA Newsletter No. 108)
Photographs by Susanne Kriemann, Viktor Hasselblad and anonymous sources. Texts by Cecilia Widenheim, Dieter Roelstraete, Aleksander Komarov, Soeren Gunnarsson, Ulrika Flink, Ida Lowgren.
Design: NODE Berlin/Oslo. Hardcover. Edition: 750. ISBN 9789077459355
For availability mail to archive@romapublications.org
|
122 |
JCJ Vanderheyden / The Analogy of the Eye |
JCJ Vanderheyden |
264 |
21 × 26 |
Culturgest, Lisbon |
2009 |
|
121 |
Untitled (Onkenhout) |
Arnoud Holleman |
6 (leporello) |
21 × 29.7 |
|
2008 |
|
120 |
(Untitled) |
Geert Goiris |
8 (leporello) |
21 × 27 |
Wiels, Brussels |
2008 |
|
119 |
Hypocotyl Raki |
Mark Manders |
16 |
35 × 48 |
|
2008 |
|
118 |
Plateau |
Nickel van Duijvenboden |
48 (x2) |
14 × 20.5 |
|
2008 |
|
117 |
Siedlung |
Erik van der Weijde |
256 |
16 × 22 |
|
2008 |
|
116 |
Wonder Years / Werkplaats Typografie 1998-2008 |
various |
256 |
23 × 30 |
ArtEz, Arnhem |
2008 |
256 pages / 23 × 30 cm / in collaboration with ArtEz, Arnhem
Book on the occasion of the 10th anniversary of the Werkplaats Typografie in Arnhem. Edited and designed by Alex DeArmond, Jeremy Jansen, Julie Peeters, Scott Ponik, Boy Vereecken and Lisette Smits.
With contributions by Stuart Bailey, Uta Eisenreich, Paul Elliman, Raimundas Malasauskas, Karel Martens, Armand Mevis, Radim Pesko, and Willem Oorebeek. ISBN 9789077459300
Out of print
|
115 |
(Untitled) |
Geert Goiris |
8 (leporello) |
21 × 27 |
|
2008 |
|
114 |
China/S75 |
Petra Stavast |
36 |
16.5 × 23.5 |
|
2008 |
|
114b |
Eva (II) |
Petra Stavast |
poster |
70 × 87 |
De Vleeshal, Middelburg |
2010 |
poster / 70 × 87 cm / in collaboration with De Vleeshal, Middelburg
Poster of a portrait (Eva II), photographed by Petra Stavast with a mobile phone, printed in offset on newspaper stock. Edition 300
Out of print
|
113 |
Neem me mee, zei de hond. |
Wim Brands |
16 |
17 × 24 |
|
2008 |
|
112 |
(Untitled) |
Stephan Keppel |
12 (leporello) |
16.5 × 21 |
Fonds BKVB |
2008 |
|
111 |
Serendipity |
Hans Gremmen (ed.) |
104 |
19 × 26 |
|
2008 |
104 pages / 19 × 26 cm
Book by graphic designer Hans Gremmen with a selection of 'test prints' found at the silkscreen workshop of Paul Wyber in Amsterdam. The book contains reproductions as well as unique fragments from original
prints by the following designers and artists: Jan Bons, Armand Mevis, Linda van Deursen, Lex Reitsma, Julia Born, Laurenz Brunner, Gielijn Escher, Annet Gelink, Ryan Gander, Roger Willems, JCJ Vanderheyden, Roland Schimmel, Nancy Spero, Carlos Amorales, Coppens Alberts, Connie
Nijman, Anthony Burrill, Scott King, KesselsKramer, Jan Cremer, Gebroeders Silvestri, Stephanie de Vilder, Experimental Jetset, mevrouw Kramer, Mark van Holden, Linda Jensen. With an adapted chapter from 'Sindbad in Serendip' by
Richard Boyle. Design: Hans Gremmen. Edition: 700 unique copies. ISBN 9789077459294
Out of print
|
110 |
Nancy Spero's Alphabet of Hieroglyphs |
Nancy Spero |
2 posters |
2 × (80 × 119) |
De Appel Arts Centre, Amsterdam |
2008 |
2 posters / 80 × 119 cm / in collaboration with De Appel Arts Centre, Amsterdam
Set of two silkscreen posters with an inventory of all motifs from Nancy Spero's zinc and polymer plates since 1975. Edited by Roel Arkesteijn. Design: Connie Nijman and Roger Willems
For availability mail to archive@romapublications.org
|
109 |
Codex Spero / Nancy Spero - Selected Writings and Interviews 1950-2008 |
Roel Arkesteijn (ed.) |
200 |
20 × 28 |
De Appel Arts Centre, Amsterdam |
2008 |
|
108 |
Psychoscope |
Roland Schimmel |
48 + DVD |
21 × 29.7 |
Culturgest, Lisbon |
2008 |
|
107 |
That's Painting |
Bernard Brunon |
116 |
15 × 21 |
FRAC Lorraine |
2008 |
|
106 |
Intimate Relations |
Marlene Dumas |
140 |
21 × 26 |
Jacana Media, Johannesburg |
2007-2022 |
140 pages / 21 × 26 cm / in collaboration with Jacana Media, Johannesburg
Book with a personal selection of paintings, drawings, early works, and writings, compiled on the occasion of Dumas' first solo show in South Africa, 30 years after moving to the Netherlands. Edited by Marlene Dumas, with
text contributions by Emma Bedford, Marlene van Niekerk, Achille Mbembe and Sarah Nuttall. The 2007 edition was dedicated to Dumas' mother who died that year. The revised 4th edition from 2022 is dedicated to her 6 year older brother Pieter of whom we added a portrait: Die Baba, 1985. Design: Roger Willems. ISBN 9789464460117
Order here (4th edition)
|
105 |
Multiplicity |
Frank van der Salm |
16 |
24 × 34 |
Fries Museum Leeuwarden |
2008 |
|
104 |
Cast (part 4) |
Raymond Taudin Chabot |
56 |
24 × 34 |
|
2007 |
|
103 |
Beauty Unrealized |
Tamuna Chabashvili, Adi Hollander, Vesna Madzoski (ed.) |
56 |
17 × 24 |
Public Space With A Roof, Amsterdam
|
2007 |
56 pages / 17 × 24 cm / in collaboration with Public Space With A Roof, Amsterdam
The publication Beauty Unrealized. Spider webs of personal universes seeking a form is the testimony of a series of collaborative ventures, organized by artist-run space Public Space With a Roof, Amsterdam. With contributions by
Thomas Hirschhorn, Robert Garnett, Keren Cytter, Philippe-Alain Michaud, Atsushi Sasaki, Michel de Broin, Benoit Goupy, Falke Pisano, Maurits Fennis, Emiliano Gandolfi, Mark Manders, Francesco Bernardelli, Claudio Baroni &
Fabian Marcaccio, Marko Kosnik, Angela Serino, and others.
Out of print
|
102 |
Two |
Marc Nagtzaam |
16 + 4 |
17 × 23 |
|
2007 |
|
101 |
Post-production |
various |
|
59.4 × 84 (x11) |
Artis Den Bosch
|
2007-08 |
59.4 × 84 cm / in collaboration with Artis Den Bosch
Series of 11 posters, organised by Roger Willems. The posters were printed in the same print runs as the invitations for artists run space Artis Den Bosch during 2008 and 2009. A limited part of these print runs was saved uncut. With special thanks to Drukkerij Tielen, Boxtel.
-- Marc Nagtzaam, (Single Objects), 2005
-- Pipa Vilyn, Ruk ruk stuk, 2006-2007
-- Wouter van Riessen, Zelfportret op bed (rood monochroom), 1992-2007
-- Batia Suter, Test Sheet for Parallel Encyclopedia, 2007
-- Mark Manders, Study for Finished Sentence, 2007
-- Rob Johannesma, Skyhook, 2007
-- Kees Goudzwaard, Additive, 2007
-- Marten Hendriks, From: 8608, 1986-2008
-- Gwenneth Boelens, Sketch for a Whole Fragment, 2007
-- Irene Kopelman, Seismological Record from the Geological Museum Artis Amsterdam, 2008
-- Marlene Dumas, In God We Trust (Paying the ferry man), 2008
For availability mail to archive@romapublications.org
|
100 |
Parallel Encyclopedia #1 |
Batia Suter |
592 |
21 × 28 |
|
2007 |
|
99 |
Penny on Wood |
Mark Manders |
16 + insert |
21 × 27 |
|
2007 |
|
98 |
Full Grown Man |
Wouter van Riessen |
64 |
19 × 26 |
|
2007 |
|
97 |
Suggested Taxation Scheme |
Gabriel Kuri |
44 |
24 × 17 |
|
2007 |
|
96 |
The Whole World - Without Me = The Whole World |
Oksana Pasaiko |
cards |
14.8 × 10.5 |
Nobody sir |
2004-ongoing |
|
95 |
Logicas Desviadas. Notes on Representation Vol. 1 |
Irene Kopelman |
16 |
28.5 × 21 |
AVAM, Naval Museum of Madrid |
2006 |
|
94 |
Curculio Bassos / Sonantal Lush |
Mark Manders |
8 + 8 |
35 × 48 + 17.5 × 24 |
|
2006 |
|
93 |
11 tekeningen (free paper) |
Marc Nagtzaam |
two folded papers |
2 × (68 × 48) |
Homework, Maastricht |
2006 |
|
92 |
Count Down |
Roland Schimmel |
poster |
68 × 48 |
Culturgest, Lisbon |
2006 |
|
91 |
Ghent / Lisbon / Porto Drawings |
Bart Lodewijks |
96 |
16.5 × 22.5 |
Culturgest, Lisbon / S.M.A.K. Ghent |
2006 |
|
90 |
Os livros fazem amigos |
Roger Willems, Mark Manders (ed.) |
120 |
15 × 21 |
Culturgest, Lisbon |
2006 |
|
89 |
Dias abertos |
Marije Langelaar (ed.) |
64 |
21 × 27 |
Culturgest, Lisbon |
2006 |
64 pages / 21 × 27 cm / in collaboration with Culturgest, Lisbon
Portuguese edition of the first two Open Days (Roma 38 and 70). Poems by Dutch and Flemisch poets, selected by Marije Langelaar, combined with various works of art. Translated to Portugues by Fernando Venâncio.
Contributions by: Michaël Borremans, René Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera,
Mark Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Marije Langelaar, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Mark Manders, Annelies Strba, Daan van Golden, Raoul De Keyser, K. Michel,
Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José Maria Rodriguez Plaza, JCJ Vanderheyden, Yun-Fei Ji, Boris Mikhailov. ISBN 9077459146
Out of print
|
88 |
Surplus |
Marc Nagtzaam |
48 |
19 × 26 |
Culturgest, Lisbon |
2006 |
|
87 |
Ornamento com pontos focais |
Mark Manders |
16 |
23 × 31 |
Culturgest, Lisbon |
2006 |
|
86 |
Sequent |
Kees Goudzwaard |
64 |
21 × 28 |
Culturgest, Lisbon |
2006 |
|
85 |
Kunstverein Ahlen |
various |
|
12 × 16.5 |
Kunstverein Ahlen |
2006 - |
|
84 |
W139 - Amsterdam, Report of an Ongoing Journey |
various |
304 |
17 × 22.5 |
W139, Amsterdam |
2006 |
|
83 |
Short Sad Thoughts |
Mark Manders |
72 |
20 × 27,5 |
BALTIC Centre for Contemporary Art, Gateshead |
2006 |
|
82 |
Blind Spot |
Roland Schimmel |
64 |
20 × 28 |
|
2006 |
|
81 |
„Freut Euch“ |
Michael Dörner |
20 |
15 × 21 |
Kunstverein Göppingen |
2006 |
|
80 |
Untitled (Post-production) |
JCJ Vanderheyden |
3 posters |
3 × (70 × 100) |
Artis, 's-Hertogenbosch |
2006 |
|
79 |
EucaryoteTarp |
Mark Manders |
8 |
35 × 48 |
BALTIC Centre for Contemporary Art, Gateshead |
2005 |
|
78 |
Compost Index |
Gabriel Kuri |
68 |
28 × 20 |
Conaculta, Mexico City |
2005 |
|
77 |
3 |
Geert Goiris |
3 cards |
3 × (22 × 17.6) |
|
2005 |
|
76 |
Cristof Yvoré |
Cristof Yvoré |
44 |
17 × 12.5 |
Zeno X Gallery Antwerpen |
2005 |
|
75 |
Reconstructing Time |
Irene Kopelman |
24 |
23.5 × 16.5 cm |
Artis Geological Museum |
2005 |
|
74 |
Parallel Slideshow |
Batia Suter |
DVD |
|
|
2006 |
DVD
Filmic sequence of around 1000 newspapers images, collected between 1998 and 2006. This work - which is not distributed commercially - is related to the book 'Parallel Encyclopedia' (Roma 100) which was published a year later, in 2007. Suter decided to keep these images out of her book because of their typical color and newspaper atmosphere. Also the notion of news value and the focus on catastrophic circumstances make this series an autonomous chapter in her collection of found imagery.
|
73 |
Short Sad Text (based on the borders of 14 countries) |
Oksana Pasaiko |
Hair on soap |
7.5 × 5.3 × 2.4 |
|
2004-05 |
Hair on soap / 7.5 × 5.3 × 2.4 cm
Small sculpture, made out of soap and human hair. Edition: 2 (number one of the edition was left behind in a public toilet in Oslo, number two is a work of art). It also exists as a take postcard.
|
72 |
La Roquette Secrète |
Mark Manders, Marije Langelaar |
8 |
23.5 × 32 |
|
2006 |
|
71 |
Broadway Marquise |
Roland Schimmel |
poster |
70 × 100 |
S.M.A.K. Ghent
|
2005 |
poster / 70 × 100 cm / in collaboration with S.M.A.K. Ghent
Poster made by Roland Schimmel and Roger Willems. Silkscreen. Edition 150
For availability mail to archive@romapublications.org
|
70 |
Open Days |
Marije Langelaar (ed.) |
32 |
21 × 27 |
S.M.A.K. Ghent
|
2005 |
32 pages / 21 × 27 cm / in collaboration with S.M.A.K. Ghent
The second Open Days publication with poems by Dutch and Flemisch poets, combined with various works of art, selected by Marije Langelaar. Contributions by Daan van Golden, Raoul De Keyser, K. Michel, Menno Wigman, Tonnus Oosterhoff, Bas Jan Ader, Johannes Kahrs, Eva Gerlach, Miriam Van hee, Mark Boog, Dirk van Bastelaere, John Currin, Mark Langelaar, Jannah Loontjens, Wouter Godijn, Hester Knibbe, Kees Goudzwaard, Wouter van Riessen, Rogi Wieg, Barry Flanagan, Franky D.C., Gerhard Richter, Peter Verhelst, Miguel Declercq, Franz Gertsch, José Maria Rodriguez Plaza, J.C.J. Vanderheyden, Yun-Fei Ji, Boris Mikhailov. Design: Roger Willems. This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2005' in S.M.A.K. Ghent, May 28 - July 3 2005.
For availability mail to archive@romapublications.org
|
69 |
Made out of Wood |
Wouter van Riessen |
audio CD |
14 x12.5 |
|
2005 |
|
68 |
De Rode Hamerclub |
Marije Langelaar |
24 |
20 × 28 |
|
2005 |
|
67 |
(Untitled) |
Geert Goiris |
8 (leporello) |
21 × 27 |
|
2005 |
|
66 |
Face it |
Joe Villablanca |
32 |
19.5 × 26.5 |
|
2005 |
|
65 |
Blind Spot |
Roland Schimmel (with David Lopato) |
DVD |
18.5 × 26.5 |
|
2005 |
|
64 |
Vlak |
Marc Nagtzaam |
16 |
16 × 22 |
|
2005 |
|
63b |
Hallway with Sentences |
Mark Manders |
16 |
20 × 27 |
ProjecteSD, Barcelona
|
2007 |
|
63 |
Hallway with Sentences |
Mark Manders |
16 |
19 × 25.5 |
The Irish Museum of Modern Art, Dublin
|
2005 |
|
62 |
H1: Momente/Monumente |
Philippe Van Cauteren, Sebastian Hackenschmidt, Roger Willems (ed.) |
56 |
19 × 25.5 |
|
2004 |
56 pages / 19 × 25.5 cm
First issue of the magazine , with contributions by Franz Blei, Erick Beltran, Inga Beyer, Marc Wortmann, Daniel Blochwitz, Dew Bondage, Michael Dorner, Sebastian Hackenschmidt, Hans Blumenberg, Christian Jamarillo, Jac Leirner, Mario Navarro, Luis Egana Rojas, Tanja Schwarz, Elliott Erwitt, Andre Lemke, Philippe Van Cauteren, Thomas Schonberger, Michael Liebelt and Lawrence Weiner, Christel Fetzer. Edition 100. Laserprint. Design: Roger Willems
Out of print
|
61 |
From Here to There (and back again) |
Various |
128 |
21.5 × 28.5 |
W139, Amsterdam
|
2004 |
|
60 |
Billboards |
Batia Suter |
168 |
21 × 15 |
KesselsKramer
|
2004 |
|
59 |
Five minutes to Die |
Iñaki Bonillas |
172 |
29.7 × 21 |
|
2004 |
|
58 |
'H0' |
Van Cauteren, Hackenschmidt, Willems (ed.) |
12 |
25.5 × 17.7 |
|
2004 |
12 pages / 25.5 × 17.7 cm
Preview of H-magazine; a low-budget, free curatorial magazine, based and related to Hamburg, Germany. 'H'-magazine is part of Philippe Van Cauteren's 'HAMBURG / O, R, G, U & H' (see 54).
Out of print
|
57 |
30 Feet |
Oksana Pasaiko |
32 |
13.5 × 19.5 |
Manifesta 5
|
2004 |
|
56 |
(Untitled) |
Geert Goiris |
folded poster |
63 × 89 |
Manifesta 5
|
2004 |
|
55 |
Miquel Mont |
Miquel Mont |
80 |
19 × 26.8 |
Le Sous-sol Paris
|
2004 |
|
54 |
O, R, G, U & H |
Philippe Van Cauteren (ed.) |
website |
|
|
2004 |
website
A website documenting a number of modestly scaled projects curated and organized by Philippe
Van Cauteren, diversely sited through the City of Hamburg, Germany. With contributions by (among others):
Nicolas Floc'h, Rosana Ricalde, Anno Dijkstra, Francisca Garcia, Anna Maria Neubert, Paulo
Climachauska, Heide Hinrichs, Sylvia Schreiber, Alejandro Magallanes & Erick Beltran, Batia
Suter, Michael Doerner, Kees Goudzwaard, Nir Alon, Adrianne Gallinari, Patrick Lebret, Paula
Parcerisa, Changwon Lee, Martina Rapedius & Thomas Rindfleisch, Mario Navarro, Francisca Garcia, Lina
Kim, Inaki Bonillas, Sebastian Zarius, Marije Langelaar, Magda Jussara.
www.romapublications.org/hamburg
|
53 |
In Other Words |
Nicolas Floc'h |
208 |
18 × 24.5 |
Galerie Le Sous-sol, Frac Nord-Pas de Calais, Frac Champagne-Ardenne, W139
|
2005 |
|
52 |
Isolated Rooms |
Mark Manders |
184 + 56 |
19.5 × 26 |
The Art Institute of Chicago and The Renaissance Society at The University of Chicago
|
2005 |
|
51 |
Storage and Display |
Dieter Roelstraete & Roger Willems (ed.) |
168 |
17 × 23 |
Programa Art Center, Mexico City
|
2004 |
168 pages / 17 × 23 cm / in collaboration with Programa Art Center, Mexico City
Document of the group exhibition 'Storage and Display' in Programa Art Center, Mexico City, 2003. With: Danai Anesiadou, Hans
Bryssinck & Diederik Peeters, Rodrigo Diaz, Jared Domicio, Nicolas Floc'h, Michel Francois, Kees Goudzwaard, Franciska Lambrechts &
Honore d'O, Erwan Maheo, Mark Manders, Hermann Maier Neustadt, Damian Ortega, Batia Suter, Sofia Taboas, Pieter Vermeersch and many others. ISBN
9077495057
For availability mail to archive@romapublications.org
|
50 |
Frontal Views |
Kees Goudzwaard |
92 |
21 × 28 |
|
2004 |
|
49 |
(Untitled) |
Geert Goiris |
2 (card) |
17 × 24 |
BOZAR Brussel
|
2003 |
|
48 |
Looking for a Beautiful Place |
Bart Lodewijks |
64 |
17 × 24 |
Scottish Arts Council
|
2003 |
|
47 |
Photographic Views |
Iñaki Bonillas, Dieter Roelstraete, Roger Willems |
40 |
17 × 24 |
|
2003 |
|
46 |
En we verdroomden de dag... |
Wil Heeffer |
40 |
16.5 × 23 |
Grafisch Buro Goirle
|
2003 |
|
45 |
Gedicteerde tekeningen |
Mark Manders, Marije Langelaar and 22 children |
56 |
17 × 23 |
Stedelijk Museum Amsterdam
|
2003 |
|
44 |
Over |
Marc Nagtzaam |
44 |
16.5 × 23 |
|
2002 |
|
43 |
Splinters zijn stukken van bomen |
Maud Vande Veire |
243 |
12 × 20 |
|
2002 |
243 pages / 12 × 20 cm
First novel by Maud Vande Veire, published as unedited manuscript in limited edition.
Out of print
|
42 |
Kaleidoscope Night |
Dieter Roelstraete |
56 |
16.5 × 24 |
Kröller-Müller Museum
|
2002 |
|
41 |
Ornament met Brandpunten |
Mark Manders |
DVD |
|
|
2002 |
DVD
Electronic voice reeds a selection of Manders' collection of poems Ornament met brandpunten, translated into English.
|
40 |
Singing Sailors |
Mark Manders |
120 |
16.8 × 22.5 |
|
2003 |
|
39 |
Several Drawings on Top of Each Other |
Mark Manders |
232 |
19 × 25.5 |
Philip Morris Finest Selection Foundation
|
2002 |
|
38 |
Open Days |
Marije Langelaar (ed.) |
32 |
21 × 27 |
Kröller-Müller Museum
|
2002 |
32 pages / 21 × 27 cm / in collaboration with Kröller-Müller Museum
This publication was published on the occasion of the exhibition 'ROMA Publications 1998-2002' in the Kröller-Müller Museum, Otterlo. It contains Dutch poems combined with various works of art, selected by Marije Langelaar.
With contributions by : Michael Borremans, Rene Puthaar, Batia Suter, Noritoshi Hirakawa, Menno Wigman, Ilja Leonard Pfeijffer, Albertina Soepboer, Anneke Brassinga, Arturo Herrera, Mark Manders, Marije Langelaar, Ronald Ohlsen, Piet Gerbrandy, Gwy Mandelinck, Dirk Braeckman, Luc Tuymans, Roger Willems, Arjen Duinker, Tsead Bruinja, Wouter van Riessen, Johannes Kahrs, Maria Barnas, Leonard Nolens, Annelies Strba.
Out of print
|
37 |
White Book |
Inaki Bonillas, Roger Willems |
896 |
17 × 22 |
Programa Art Center, Mexico City
|
2002 |
|
36 |
Thin Newspaper with Drawings |
Mark Manders |
16 |
47 × 31.5 |
Documenta 11 |
2002 |
|
35 |
Singing Sailors |
Mark Manders |
128
|
21.6 × 28.8
|
Art Gallery of York University, Toronto |
2002 |
|
34 |
Poëtisch Panorama |
Louis Tiessen |
20 |
21 × 29.7 |
|
2002 |
|
33 |
Catherine Claeyé |
Catherine Claeyé |
48 |
14 × 20 |
Caldic Collection, Rotterdam |
2002 |
|
32 |
Pingo doce |
Mark Manders |
8 |
17.5 × 23 |
Museu Serralves, Porto |
2001 |
|
31 |
New Anniversaries |
Mark Manders, Marije Langelaar |
72 |
23.5 × 32 |
International Sculpture Collection Rotterdam |
2001 |
|
30 |
Arnhem Promotion Poster |
Mark Manders |
|
68.5 × 96 |
|
2001 |
|
29 |
Dictated Drawings |
Mark Manders and 27 children |
32 |
16.5 × 23 |
Sonsbeek 9 Arnhem |
2001 |
|
28 |
Portraits and Cameras |
Mark Manders, Roger Willems |
56 |
29.7 × 21 |
Sonsbeek 9 Arnhem |
2001 |
|
27 |
9 tekeningen (free paper) |
Marc Nagtzaam |
two folded papers |
2 × (68 × 48) |
|
2001 |
|
26 |
Angus 15 jaar / 3-11-2001 |
Mark Manders, Marije Langelaar |
32 |
20 × 27
|
International Sculpture Collection Rotterdam |
2001 |
|
25 |
Newspaper with Fives |
Mark Manders, Roger Willems |
20 |
41.5 × 29 |
Sonsbeek 9 Arnhem |
2001 |
|
25b |
Newspaper with Fives (82%) |
Mark Manders, Roger Willems |
20 |
34 × 24 |
Sonsbeek 9 Arnhem |
2001 |
20 pages / 34 × 24 cm / in collaboration with Sonsbeek 9 Arnhem
Reduced newspaper with fives. Edition 600
Out of print
|
24 |
China |
Mark Manders |
64 |
15.5 × 22.5 |
|
2001 |
|
23 |
Waiting for the Laundry |
Mark Manders, Marije Langelaar |
|
|
|
- |
Still in preparation since 2000. Photoseries made whithin one hour while waiting for the laundry, somewhere in Tokyo.
|
22 |
Laptop on the Pavement |
Mark Manders, Roger Willems, Marije Langelaar |
64 |
13.5 × 19.5 |
Poëziezomers Watou |
2002 |
|
21 |
Mutanten zonder hart |
Marije Langelaar |
12 |
17 × 26 |
|
2000 |
|
20 |
ROMA 20 A-Z |
various |
|
|
|
- |
Disappeared project. Random posters in small editions were pasted on specific spots in the city.
|
19 |
Work and Non-work |
Marc Nagtzaam, Roger Willems |
8 |
21 × 29.7 |
|
2000 |
|
18 |
Meer avonturen |
Maartje Teunissen |
paper |
10,5 × 3 |
|
2005 |
|
17 |
Night Drawings from Self-portrait as a Building |
Mark Manders |
22 |
29 × 43 |
Greene Naftali Gallery, New York |
2000 |
|
16 |
Tokyo Newspaper |
Mark Manders, Marije Langelaar |
16 |
27.3 × 40 |
Tokyo Opera City Art Gallery, Tokyo |
2000 |
|
15 |
Niet niet betreden |
Mariës Hendriks |
24 |
15 × 21 |
|
2000 |
|
11-14 |
Hann. Münden Promotion Posters |
Mark Manders, Roger Willems |
|
50 × 78 |
The City of Hann. Münden |
1999 |
|
10 |
Interactief gelukkig |
Marije Langelaar |
64 |
14.5 × 21.5 |
|
2000 |
|
9 |
Ornament met brandpunten |
Mark Manders |
48 |
14.5 × 21.5 |
|
2000 |
|
8 |
Ll |
Jaap Kroneman, Batia Suter, Roger Willems |
32 |
32 × 46 |
|
1999 |
32 pages / 32 × 46 cm
Combinations of photographs of ex-girlfriends collected by Jaap Kroneman and crops of images of public men collected by Batia Suter. Edition 25
Out of print
|
7 |
Het lezen |
Marije Langelaar |
4 |
13.7 × 21 |
|
2000 |
4 pages / 13.7 × 21 cm
Folded paper, printed in book print, containing a short text about 'reading'. It functions as a limited preface for 'Interactief gelukkig' (Roma Publication 10). Edition 70
Out of print
|
6 |
32544 Assoziative Wortkörper |
Mark Manders, Roger Willems |
32544 |
21 × 30 |
S.M.A.K. Ghent |
1999 |
|
5 |
Newspaper with Fives |
Mark Manders, Roger Willems |
20 |
47 × 31.5 |
S.M.A.K. Ghent |
1999 |
|
4 |
Hann. Münden Promotion Poster |
Mark Manders, Roger Willems |
|
50 × 78 |
The city of Hann. Münden |
1999 |
50 × 78 cm / in collaboration with The city of Hann. Münden
Poster containing fives from the German town of Hann. Münden. Edition 300
Out of print
|
3 |
Coloured Room with Black and White Scene |
Mark Manders |
88 |
15.5 × 22.5 |
Galerie Friedrich, Bern |
1999 |
|
2 |
Elka Oudenampsen |
Elka Oudenampsen |
40 |
15.5 × 22 |
Loerakker Galerie, Amsterdam |
1999 |
|
1 |
(SOME) |
Marc Nagtzaam |
40 |
17 × 23.5 |
|
1998 |
|
|